Most Anticipated Horror Films of 2019

2018 has come to a close and with a brand new year, comes a brand new bunch of horror films to look forward to! Below is a selection of the films I am looking forward to the most in 2019! This may seem a bit late but I wanted to wait a couple of months in to the year for some more confirmed release dates and trailers to come out!

The New Mutants

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The New Mutants was on my most anticipated horror films of 2018 list, but due to the film being extremely postponed to August 2019, I thought it made sense to add it to this list too – hopefully it won’t end up being on my most anticipated films of 2020 list!

As seen in Logan and Deadpool (both fantastic films), Fox has been incorporating a wider range of genre elements in to their X-men films. Following suit, The New Mutants has taken on a horror/psychological thriller genre style and as an X-men fan, I could not be more excited to see how this turns out. The New Mutants has a strong lead cast consisting of Anya Taylor-Joy (The Witch, Split), Masie Williams (Game of Thrones) and Charlie Heaton (Stranger Things) has myself and many others very excited!

Due to be released August 2nd!

IT: Chapter 2

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IT: Chapter 1 was one of my favourite films of 2017, so I can’t wait to see what the sequel brings to the table.  The IT mini-series is a cherished favourite of mine, however the second half which focuses on the adults versions of the losers club holds up pretty badly, especially in comparison to the child focused portion. Considering how great the 2017 adaption was, I can’t wait to see what they do with the source material and more importantly, what they do with the scare factor!

Due to be released September 6th!

3 From Hell

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The third and instalment in Rob Zombie’s much loved (by some anyway, including myself) House of 1000 Corpses/The Devil’s Rejects franchise. I absolutely love the first two films and the vast majority of Zombie’s work, both movies and music, and I can’t wait to see what the Firefly clan do next! Sid Haig, Sheri Moon Zombie and Bill Moseley have knocked it out of the park with these characters so far, here’s hoping they bring that sinister, dark magic yet again!

No release date as of yet, but it is expected to be released later this year!

Pet Sematary

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As a big Stephen King fan, I personally found the original film had a fair bit to be desired, with a poor lead performance being the made factor that dragged it down, I just couldn’t care for the father of the film when he was so clearly incompetent, however, with that being said, the original is not with out it’s charm! So I was very intrigued to see that in this day and age where Stephen King adaptions are being pumped out like crazy, to see that a film with such a cult following was being remade. When the trailer dropped I was immediately interested with so many brilliant pieces of imagery as well as some very strong casting, John Lithgow as Jug in particular has me very excited to see how this one turns out!

Due to be released April 5th!

Midsommar

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Ari Aster has blown me away time and time again with his modern day masterpiece ‘Hereditary’, (which topped my favourite films of 2018 list) as well as with his brilliant short films ‘The Strange Thing About The Johnsons’ and ‘Munchausen’. So when it was announced that he would be reuniting with production company A24 to bring his next piece of traumatising art to the big screen, I knew I was in for another amazingly horrific experience! The trailer depicts some of the most jaw droppingly gorgeous shots ever put in a horror film, with wide open fields in broad daylight that contrast starkly with the dark and oppressive tone the film’s trailer is giving off. I really can’t wait for this one!

Due to be released August 16th!

MA

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This trailer for ‘MA’ had me hooked as soon as I saw it. Octavia Spencer looks like she is having the time of her life, playing a cold and manipulative antagonist in this eerie horror/thriller. The film appears to be filled with great characters and acting (which is to be expected with Spencer in the main villainous role) as well as a great deal of tension and I can only assume some brilliant twists and turns are due to take place as well!

Due to be released May 31st!

US

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Jordan Peele’s ‘Get Out’ was my favourite film of 2017 and I have been eagerly awaiting his next venture in to the horror genre and from what has been show of his next film ‘Us’, I will not be disappointed! The film appears to be full of grizzly and unsettling imagery and fantastic performances all around. The overwhelming sense of unease and paranoia is almost over powering just from the trailer alone so I can’t wait to witness ‘Us’ in just a couple of weeks time, as of writing this!

Due to be released March 22nd!

Brightburn

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For anyone who has seen the trailer for this film, I would agree that it can basically be summed up as ‘what if Superman was evil’? This is not a negative in anyway in my eyes as it isn’t something that has been delved into in film form as far as I am aware. Couple that with awesome visuals such as the one above, input coming from three of the Gunn brothers (James Gunn of Slither and Guardians of The Galaxy fame being the best known of the three, who is serving as producer) as well as a great cast including Elizabeth Banks and of course, the terrifying idea of an unstoppable, all powerful being that wants to kill everyone and everything. What is there not to be excited about?

Due to be released May 24th!

Scary Stories To Tell In The Dark

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There has been a great deal of hype surrounding the release of the ‘Scary Stories To Tell In The Dark’ film adaption for a while now, and as each mini-trailer revealed a selection of hellish and terrifying beasts, ghosts and ghouls, I would say that hype was justified. Guillermo Del Toro acting as producer gets me very excited as the man has such an eye for horror with a great flair for practical creature designs and in a film all about a whole host of horrific creatures, what could be better? Couple this with André Øvredal (‘The Autopsy of Jane Doe’ and Troll Hunter’) as director and we are in for one hell of a ride!

Due to be released August 9th!

Doctor Sleep

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Now this is going to be very interesting! A sequel to Stanley Kubrick’s ‘The Shining’ starring Ewan McGregor as an adult Danny Torrence, based on the Stephen King novel of the same name and written and directed by the modern day horror movie master Michael Flanagan (‘The Haunting of Hill House’, ‘Hush’, ‘Oculus’, ‘Ouija: Origin of Evil’ and ‘Gerald’s Game’ to name but a few!). Every aspect of this film so far has me unbelievably excited, that the only real issue I see is myself having to keep my expectations in check so don’t over hype myself! But seriously, how great does all of that sound?

Due to be released October 31st!

Honourable Mentions

With my top 10 picks for this year (that we know are coming out) laid out above, I thought I would take the time to mention just a few other films that I am looking forward to seeing this year!

Glass, Happy Death Day 2U & Velvet Buzzsaw – These were both great films, but didn’t make the list because by the time I finished this post, I had already seen these movies!
The Curse of La Llorna – An eerie horror tale based on an equally unnerving Mexican urban legend!
Hellboy –
An action/horror hybrid based on one of my all time favourite comic book series’. While I am excited to see this, my love for the Guillermo Del Toro Hellboy films has me somewhat biased!
The Prodigy – Much like Brightburn, we have an creepy child that is not as innocent as he appears, but how? That I do not know, but I am looking forward to finding out!
Zombieland: Double Tap – The Long awaited sequel to 2009’s horror comedy classic!

If you have made it this far, thank you so much for reading! If I missed any horror films that you are excited about, let me know in the comments and let’s geek out about them!

Stay Creepy!

Top Horror Films of 2018!

The end is nigh! With the end of 2018 and the first year of Movie Night Massacre, I like to look at all the films that I enjoyed in the world of horror. For anyone who has been following this blog since it began as a new years resolution of sorts, you may remember that my first ever post was my top films of 2017!

9. The Nun

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Now, I am very aware that a lot of people did not enjoy this film, and while I am completely aware of the flaws of the film, it didn’t stop me enjoying it as a fun, creepy if somewhat generic entry in ‘The Conjuring’ universe. The film looks gorgeously shot, full of enjoyable creepy moments and a moody, unsettling atmosphere. While the film as a whole was nothing special (hence why it is at the lowest point of this list) I still had a lot of fun with it, and would happily watch it again. You can check out my full review here!

8. The Secret of Marrowbone

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I was very excited to check out this film as it starred some of my favourite up and coming actors in Anya Taylor-Joy, Mia Goth and Charlie Heaton. While it didn’t fully live up to my expectations, with Heaton’s performance feeling somewhat lacking and the pacing feeling a little messy, I still really enjoyed this film, again, really nice cinematography, an immense air of mystery and a really strong final act.
A haunting family drama, haunting being meant in this most literal of senses. You can check out my full review here!

7. Ghost Stories

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When I first reviewed ‘Ghost Stories’, I was definitely not it’s biggest fan, after countless reviews praising every aspect, I went in expecting more than I got. But after having a while (8 months to be exact) to think about it and process the character of the film, the clever story telling devises and the truly great paranormal sequences as well as some highly enjoyable performances, I have changed my mind, it is a really strong film, however, I still feel somewhat disappointed with the ending as I feel it takes away a great deal from the rest of the film. However, the vast majority of the film is still down right scary and unnerving!

6. Insidious: The Last Key

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‘Insidious: The Last Key’ is the latest instalment in the ‘Insidious’ franchise, one of my absolute favourite modern horror franchises and I was very happy with this addition to the story of the further and those entangled within it’s grip. The creature design as usual is original and unsettling, the characters are well fleshed out for the most part thanks to Leigh Whannel’s great writing and film is highly enjoyable, frightening and brimming with character from start to finish. You can check out my full review here!

5. Annihilation

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Alex Gartland is the sci-fi mastermind that brought us the mind shattering ‘Ex-Machina’, and while ‘Annihilation’ is not as mind melting, it is much more intense, expansive and action packed. Clear inspiration being drawn from ‘Aliens’ as we follow a team throw an other worldly landscape (this time set on a slowly terraforming Earth) how ever, the threat is not as straight forward as a vicious alien creature despite what my choice of image may suggest. If you love sci-fi horror then I would definitely recommend checking out this gem! You can check out my full review here!

4. The House That Jack Built

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My latest review was for ‘The House That Jack Built’, a dark, twisted tail full of violence, abuse and gallows humour. I won’t repeat myself too much, as the review is still fresh.
The artistry on display in ‘The House That Jack Built’ is incredible, as writer and director Lars Von Trier displays a brutal and surreal film that also stylistically manages to feel all too real in particular scenes. This film is not for everyone, but if like myself you enjoy slow burn horror with an artistic flair then I would highly recommend checking this film out!

3. A Quiet Place

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These next three films is where I have a great difficulty in putting one above the other, because I absolutely adored them all, but there can be only one! So in third place is John Krasinski’s ‘A Quiet Place’, a film that uses silence to build one of the most intense and suspense filled film’s I have ever seen. The sense of family is extended to audience in way that allows us to feel the loss, fear and dread of out protagonists in such a way, that each action and every event that takes places matters to us. This is a big factor for a strong horror film in my eyes because if we as the audience don’t care what happens to the characters, then what is there to be scared of? ‘A Quiet Place’ is absolutely brilliant and utterly unnerving! You can check out my full review here!

2. Halloween

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‘Halloween’ was so, so nearly first as it has everything I could have wanted it to. A brilliant score by John Carpenter himself (that I have had on loop on Spotify ever since it was released), brutal kills, a great story, great scares and unexpected heartfelt touch that made this film hit in a sentimental way that only makes you love it more. Aside from one moment in the film that leaves you questioning what the writer’s were thinking as a result of how out of nowhere it is, this film is outstanding. The perfect sequel to John Carpenter’s original. You can check out my full review here!

1. Hereditary

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‘Halloween’ and ‘A Quiet Place’ were the only two horror films this year that met my expectations. ‘Hereditary’ is the only one that exceeded them. The only film I left feeling an emotional tole after witnessing it. I felt unsettled, uncomfortable, scared and shocked. I always love a film that can make me feel this wide range of fear filled emotions. The several layers present in this film culminate to create an immeasurable sense of discomfort and fear. The dramatic tension present in the family, the mental health related undertones of the story and the supernatural elements all come together to make one of my now all time favourite films. One last aspect I truly love about the film is the way in which it feels as though I have barely scratched the surface of the hidden details present in this film and the way in which it feels like there is something new to be found with each watch. ‘Hereditary’ is a horrifying and utterly unnerving film, filled with immediate shocks as well as slow burn tension and subtle background details that are perhaps even scarier than what is clearly presented to us! You can check out my full review here!

Favourite Non-Horror Film of 2018: The Shape of Water

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I couldn’t not give at least a slight mention to ‘The Shape of Water’ as it is my overall favourite film of the year. I love every single scene and every moment. I saw it several times in the cinema and bought it immediately when it was released and watched it countless times since. This movie is the sole reason I haven’t watched more movies this year, as I have just opted to put it on instead. You can check out my full review here!

If you have made it this far, thank you so much for reading my top horror films of 2018! I hope you enjoyed reading it as much as I did enjoyed writing it. I’ll be back in the new year with my most anticipated films of 2019 list! What did you think of the movies I listed? Let me know in the comments or on the comments of what ever social media you seen my post this review on! In The meantime, stay creepy!

The House That Jack Built: Review

‘The House That Jack Built’ is the latest and possibly last film my controversial film maker Lars Von Trier and start Matt Dillon as the film’s name sake, Jack, a psychopathic serial killer with an obsessive cleaning compulsion. As you can imagine, this combination can and does result in a brutal and grim, yet darkly comedic viewing experience!

The story if broken in to a selection of violent incidents which felt like a bit of a strange choice at first but overall it really worked to bring together a string of savage murders that happen a great deal of time apart. Von Trier did a great job tying these stories together along with some great yet nihilistic and scathing dialogue. The depiction of Jack as a character immensely fascinating as he fits the serial killer mannerisms perfectly. Intense, self obsessed and socially stunted while at the same time, having a eerie but intriguing charm to him as you dislike him greatly as the monster of a human being he is, but you can’t help but enjoy him as an interesting and captivating lead character.

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Matt Dillon’s performance as Jack was truly brilliant as he was very transparent in his performance, allowing the audience to see him purely as this character, rather than just an actor playing a role. Riley Keough also gives a very memorable performance as Jacqueline, an overly trusting woman who is manipulated by Jack to a sad and painful extent. Uma Therman and Bruno Ganz also give highly enjoyable and memorable performances, but for myself, Dillon and Keough’s performances were both highlights.

Having never seen a Von Trier film before, while hearing plenty about him, I was unsure what to expect from his direction but he honestly really impressed me with his masterful direction of all of the cast as he brought out some very unforgettable and horrifying moments. The direction of the camera work and cinematography was a particular highlight for me as I felt a great deal of the shots and scene compositions were absolutely stunning. The decision to go with a mainly handheld camera style really added to a sense of realism in a way that not many films manage to achieve. My main issues with the film lie in a few decisions made by Von Trier, in particular, when narration is taking place, having static images related to what is being discussed, sit on screen as it really slowed down the pace of the film in my eyes and I feel there could have been a lot more interesting visual story telling done in it’s place. My only other issue is in relation to a factor in the last ten or so minutes of the film, nothing too bad but certain statements felt a little bit on the nose and felt out of place in an other wise very ambiguous film.

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The visual effects in this film were handled excellently, as from what I could tell, the vast majority of the gruesome imagery that takes place on screen was fulfilled with hauntingly believable practical effects. There are a handful of partially computer generated scenes near the end that do stick out in a rather odd manner. Whether this is the result of poor CGI effects work or are a result of the strange and specific vision of Von Trier, I am unsure, but they did stand out to me none the less.

The score and soundtrack for this film was rather interesting as it was combination of traditional drawn out horror/thriller/drama film music, none of which was particularly memorable but what did stand out was the inclusion of a piano motif/leitmotif of renowned pianist Glenn Gould performing J.S. Bach’s ‘Partita #2’. The way in which this is incorporated in to the film is brilliant and provided a great deal of character to the film in a way the original score did not.

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But is ‘The House That Jack Built’ scary? Well, not in the conventional sense, but there is definitely scenes filled with tension and suspense. Von Trier manages to create a uncomfortable sense of realness through out the film that causes we as the audience to be drawn in to an alarming level, so when the graphic and gruesome moments strike, they shock us to a greater capacity than they would have otherwise. This coupled with the truly evil central character of Jack, guiding us through this journey of misery and discomfort allows us to see a very familiar evil that is very much present in our reality.
The scariest aspect of  ‘The House That Jack Built’ is that Jack could be anyone.

Mild spoiler below, scroll past picture for spoiler free continuation.

 

It also must be said, as a word of warning and without giving too much away, there are scenes that depict (through movie magic of course) the killing and mutilation of children and animals. While it is nothing beyond the same grisly fate of adults in this film, that can be very taboo for a lot of people, so just a friendly word of warning.

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As a whole, I, for a lack of better word, really enjoyed ‘The House That Jack Built’. It’s unique, brutal, and funny in a very dark way. As a horror fan, I definitely feel this film was described as way more upsetting, distressing and disgusting than it actually was. For the average horror fan, this will be an artistic, slow burn film with touches of gallows humour. This film is not for everyone, so if you like straight forward serial killer centric, fast paced horror, this might not be the film for you. If you enjoy slow burn horror films with an artistic flair to them, then this might be for you. The best way I could describe this film to someone is if you took ‘American Psycho’s humour and general themes of nihilism and coupled it with the artistry of ‘Mother!’ and combined the two’s brutality and bloodshed, then you might get something like ‘The House That Jack Built’.

I’m going to give ‘The House That Jack Built’ 79%!

Have you seen ‘The House That Jack Built’ yet? If so what did you think about it? Let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!

Stay creepy and thanks for reading!

Halloween (2018): Review

Happy Halloween! (sorry I’m so late in posting this!) ‘Halloween’ (2018) is the latest instalment in the Halloween franchise, is directed by David Gordon Green and picks up 40 years after the original and ignores every other entry in the franchise.

The story of ‘Halloween’ is simple but strong, much like John Carpenter’s original. The film follows Laurie Strode (played by the incredible Jamie Lee Curtis) her granddaughter Allyson Nelson (Andi Matichak) and daughter Karen Nelson (Judy Greer) as they at first try to help Laurie come to terms with the trauma and subsequent paranoia that came from Michael Myers killing spree and attack on Laurie in the 1978 original film. Naturally the story shifts when Myers inevitably escapes and makes his way home to Haddonfield at which point, Laurie’s paranoid preparations for such an event are put in to action. There is one section near the end of the 2nd act where a certain character (no spoilers) makes a drastic change in character that feels very much out of no where and could really have done with further explanation. While this was jarring, it didn’t fully detract from the story for myself, but I could understand why this scene may have ruined immersion for some viewers.

David Gordon Green does a terrific job as the director and one of the writers of this film (alongside Danny McBride). The visuals are great, the kills are perfect, the story fits the tone of the original and the characters are interesting and likeable. It is clear that this is a film made by fans, for fans, as there are many nods to the original while still being wholly original.

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Jamie Lee Curtis gives a strong and domineering performance as a hardened but emotionally scarred Laurie Strode, clearly carrying trauma and fear from that fateful night, 40 years ago. Laurie Strode as a character is not just a strong character but an inspiring representation of what it is to be a survivor. Someone who has been through a brutal and invasive attack, and I personally feel that form of representation has no better place than in a horror film, as all of the real life events that could be mirrored by Strode’s tale of survival (such as terrorist attacks, shooters, rape) are the very real horrors the world has to deal with day in, day out and I can’t express enough how well Jamie Lee Curtis depicted the strength it takes to move on from horrific attacks such as these.
Judy Greer and Andi Matichak also give great performances as the new blood of the Strode family carrying that same strength, all just in different phases of growth and development which is a great way to depict characters sharing a trait as it shows where there is room to grow for some, Matichak’s Allyson is still a teen, who hasn’t went through anything like this so of course she will be the least experienced of the three, it makes perfect sense.

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The return of Michael Myers AKA The Shape, performed by both the original man behind the mask, Nick Castle as well as new comer to the series, James Jude Court is the other elephant in the room. Myers is done full justice if you ask me as he is still this large and intimidating yet silent and patient killer who chills you to your very core with a single glance.

The score by the master of horror himself John Carpenter (as well as his son Cody Carpenter and guitarist Daniel Davies) is absolutely outstanding and one of the best film scores in years, full brilliant motifs, intense atmosphere, memorable melodies and spine tingling sounds that will make your skin crawl in the best way!

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But is ‘Halloween’ (2018) scary? The film is full of an air of suspense that, when broken, is immensely frightening. You feel every second of Laurie, Allyson and the rest of the character’s fear and paranoia due to the extremely intense situations they are put through. Myers as an antagonist is the near perfect portrayal of pure evil, killing without mercy to all those in his way to Strode. The kills in this film are some of the most graphic yet entertaining kills I have ever seen in a horror film, or any film for that matter, all handled very well from a film making stand point while never feeling like it is too much in the way the the later Saw films did for example.

Overall, ‘Halloween’ (2018) was near enough everything I was hoping it would be. Compelling characters and performances, amazing visuals and set pieces, a truly incredible Carpenter score and of all the things I didn’t expect. This film had a great amount of heart to it which was an unexpected but welcome inclusion.

I’m going to give ‘Halloween’ (2018) 89%!

Have you seen ‘Halloween’ (2018) yet? If so what did you think about it? Let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!

Stay creepy and thanks for reading!

31 Days of Halloween Horror! – Top 31 Horror Movies

Over on my Instagram (@themovienightmassacre) for each day of the month of October, I can shared one of my all time favourite horror films, each with a short micro review! Since October has now been and gone, I thought I would compile them here for you all to read in one!

Day 1: Halloween (1978)

Day 2: The VVitch

Day 3: The Exorcist

Day 4: Get Out

Day 5: Insidious

Day 6: The Bride of Frankenstein

Day 7: House of 1000 Corpses

Day 8: Ju-On: The Grudge

Day 9: Rosemary’s Baby

Day 10: The Omen (1976)

Day 11: The Devil’s Candy

Day 12: Poltergeist (1982)

Day 13: V/H/S 1 & 2

Day 14: The Shining

Day 15: Alien

Day 16: The Babadook

Day 17: Hellraiser

Day 18: The Devil’s Rejects

Day 19: The Thing (1982)

Day 20: The Creature From The Black Lagoon

Day 21: It Follows

Day 22: The Visit

Day 23: Sinister

Day 24: The Evil Dead

Day 25: Frankenstein (1931)

Day 26: The Texas Chainsaw Massacre (1974)

Day 27: The Ring

Day 28: The Conjuring

Day 29: Dracula (1931)

Day 30: Carrie (1976)

Day 31: A Nightmare on Elm Street (1984)

And there we have it! 31 horror picks! Did I mention any of your favourites? Did I mention any that you now want to check out? Please let me know and let’s geek out about it! If you have made it this far thank you for reading! Stay Creepy!

The Nun: Review

‘The Nun’ is a gothic and ghastly tale that focuses on the origins of the demon nun Valak, first seen in ‘The Conjuring 2’ and is directed by Corin Hardy (‘The Hallow’) and written by James Wan (‘The Conjuring’, ‘Insidious’, ‘Saw’) and Gary Dauberman (‘Annabelle: Creation’). I have been a big fan of the ‘Conjuring’ franchise since it’s inception and I personally feel that aside from 2014’s ‘Annabelle’ that it has been an enthralling and enjoyable series!

In ‘The Nun’ we follow the journey of Father Burke (Demián Bichir), Sister Irene (Taissa Farmiga) as they investigate an abbey in Romania alongside Maurice “Frenchie” Theriault (Jonas Bloquet), a French-Canadian traveler who has since settled in a village near the supposedly cursed abbey. What follows is a dark and gothic story as our protagonists attempt to bring peace and holiness to this foreboding location.

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The acting performances in ‘The Nun’ are very strong, particularly the performance of Taissa Farmiga (‘American Horror Story’) as she gives us a warm and vibrant character that we grow to care for greatly, which is always an important factor for myself in any film.  Jonas Bloquet (‘Elle’) also gives a very enjoyable performance as the charming and somewhat comical (but not to the detriment of the film) relief character of the film. Demián Bichir (‘Alien: Covenant’) also gives a decent and convicted performance as he gives his all to the story.

That’s where the downside of this film comes in however. The writing as a whole is rather uninspired as the characters do lack any sort of arc, a lot of situations come about as part of a scare and are then left unresolved. Also, Valak itself seems really inconsistent when it comes to who it harms or kills and how. The story as a whole is rather predictable, as the plot progressed, I found myself already knowing what was about to happen and then being proven right.
The setting of a dreary gothic abbey in easter Europe definitely isn’t anything new, however, I don’t feel that it necessarily needs to be something new. I don’t think there is anything wrong with using an old concept as long as it is done right, and the location and setting  work very well for this story as the location oozes character that is highly reminiscent of classic Hammer horror. This is not to say that the writing of the film as a whole is bad, I enjoyed the story of the film well enough, I would sooner describe it as unoriginal and in some places, uninspired, rather than bad.

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The set design is something that deserves major props (pun fully intended) as this film looks fantastic, each set created for this film feels real and lived in with an immense amount of details paid to every nook and cranny! Similarly, the design of The Nun and other paranormal entities and locations that appear through out the film all look brilliant, bar one particular CGI looking shot that felt very out of place in comparison to the high quality effects present in the rest of the film. My one issue with this film in terms of the visuals is that when things get dark, in some scenes the lighting seems way too dark, while still appearing as though you are supposed to watch the events taking place as opposed to a scene that intentionally goes dark to leave the audience in fear alongside the protagonist. As a whole, the effects, set and prop designers for ‘The Nun’ deserve a great deal of praise!

Also the score and sound design for the most part are enjoyable, the only factor that really lets things down is the typical loud jump scare sound effects that are common place in blockbuster horror films these days.

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But is ‘The Nun’ scary? The film contains a great deal of jump scares, however they are rarely if ever a false scare. Every time a jump scare takes place, the focus of said scare is something that we as the audience are supposed to be afraid of. If you are like me these scares are all well and good as long as they are paired with tension and a sense of dread which this films does great. There were many scenes that had me on the edge of my seat that were highly intense and moments that had me jumping where I sat and it felt totally earned, as a result of which I really enjoyed those moments, as opposed to feeling foolish for falling for an unearned scare. There was also a scene in the third act that chilled me to the bone and I absolutely loved the scenes in this film that hit that level of terror!

‘The Nun’ is not a by any means a perfect movie, the story itself is very unoriginal and the plot is rather paint by numbers but what saves it is a great set of performances, chilling imagery tied together by strong direction from a promising up and coming director. While it is nothing new or original, ‘The Nun’ was still a highly enjoyable film and a solid entry in the ‘Conjuring’ franchise. I may have went hard on the negatives in the review but thats only because they stood out against all of the strengths and potential the rest of the film had. If you enjoyed the other films in the series, I have no doubt you will enjoy this gothic nightmare too!

I’m going to give ‘The Nun’ 75%!

Have you seen ‘The Nun’ yet? If so what did you think about it? Let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!
Stay creepy and thanks for reading!

Hellraiser (Burnt Church Film Club Screeing): Review

I recently had the absolute privilege to attend Burnt Church Film Club’s screening of the Clive Barker’s gorey horror masterpiece, ‘Hellraiser’! What made this night even more special was the special appearances of cenobite actors Nicholas Vince (Chatterer) and Simon Bamford (Butterball) as well as make up and special effects wizard Stuart Conran!

You may have seen me talk about Burnt Church Film Club before in my Pan’s Labyrinth review or you may have seen me post about them on social media before, but if you haven’t, they are film club that host a vast and varied selection of film screenings of all genres at The Flying Duck in Glasgow. They have loads of great screenings year round with so many horror movie nights that i can’t even manage to pick which one to go to half the time! They have also done an amazing job bringing in special guests for live and skype Q&As just like they did for the ‘Hellraiser’ screening! You can check them out through the link below!

https://www.facebook.com/burntchurchfilmclub

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It was great to meet Nicholas, Simon and Stuart and hear their stories from what it was like creating this horror classic! Now on with the review!

‘Hellraiser’ focuses on Kirsty Cotton (Ashley Laurence), her father Larry (Andrew Robinson) and her step mother Julia (Clare Higgins) as they move in to a new house that up until recently was being squatted in by Larry’s reprehensible brother, Frank (Oliver Smith/Sean Chapman). The reason Frank is nowhere to be found however, is the result of some very graphic and gruesome circumstances.

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The writing and direction of ‘Hellraiser’ is fantastic, which is to be expected when the author of the ‘The Hellbound Heart’ AKA the source material for this film is the one and only, Clive Barker himself. The sign of a strong script and pacing in any genre is each scene seamlessly flowing from one to the next and ‘Hellraiser’ does this so well, from start to finish. Each character is fleshed out (some all too literally!) in such a way that we understand each character’s motivations whether they positive or otherwise. This is something I always love to see in a horror film because it gives the audience a reason to care for the protagonist and a line of understanding the antagonist in some twister form or another.

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Ashley Laurence’s portrayal of Kirsty Cotton is one of the best “final girl” roles and performances in horror in my opinion, as she not only captures the raw and visceral fear that any sane human being would feel put in her situation, but she also has the bravery and smarts to set things straight and stand up against the sinister forces she is pit against. Definitely one of the most underrated stars of the horror genre as a whole!
Of course, despite the small amount of screen time, The Cenobites themselves (played masterfully by Doug Bradley, Nicholas Vincent, Simon Bamford and Grace Kirby) are a chilling yet captivating, with Bradley and Kirby delivering lines give audiences goosebumps to this day!

As we mention The Cenobites, we can’t not mention the masterful special effects work taken on by entire special effects team (Stuart Conran included of course!) as they bring a whole new world to life with creatures, tortured souls, disfigured bodies and the extra-dimensional home world which The Cenobites call home! All these special effects hold up wonderfully to this day, even the more outdated digital effects, namely the animated lightning like effect that comes near the end of the film, has a particular charm to it – I would much rather see that than any form of remastered digital effect, as it just fits so well in my eyes.

I can’t go any further without also mentioning Christopher Young’s incredible score! Memorable melodies that will haunt your dreams and serenade the darkest depths of your mind, it is the perfect backing track to this dark, twisted and ethereal film.

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But is ‘Hellraiser’ Scary? I would not say it is scary in the modern sense that it makes you jump in your seat, but instead it is a film that gets under your skin with gruesome visuals and terrifying thoughts that tip their hat towards H.P. Lovecraft and his concept of cosmic terror as everything about The Cenobites and their very existence is beyond our human understanding, they are not good nor evil, but on a plain of understanding that we can’t comprehend and I think it is that sense of insignificance and the overall fear of the unknown that makes ‘Hellraiser’ truly frightening!

Incase it wasn’t apparent through out this review, ‘Hellraiser’ is one of my all time favourites, I think it is masterfully written, directed, performed and created. While it may appear campy to some, to me it holds in immense amount of character that isn’t so easy to comes across these days.

I’m going to give ‘Hellraiser’ 92%!

Have you seen ‘Hellraiser’? If so what did you think about it? If not, what are you doing still reading this far? Go watch it!
Either way, let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!
Stay creepy and thanks for reading!

Dark Ditties Presents ‘Mrs. Wiltshire’ (BCFC Screening): Review

I was lucky enough to attend the debut public screening of Dark Ditties latest chapter in their on going anthology series ‘Mrs. Wiltshire’ with star Simon Bamford (Hellraiser, Nightbreed) and special effects artist Stuart Conran (Hellraiser, Shaun of the Dead) in attendance. All of this was hosted by Burnt Church Film Club as a part of their screening of Hellraiser, it was a special night!

‘Mrs. Wiltshire’ focuses on the titular pensioner, a kind but shaken old woman who lives on her own, telling stories from her troubled past to the audience. As the film progresses we meet her son Tony (Stanley Rawlings) as he begs his mother to leave her home behind and come to stay with him, so that she can finally let go of the house that remains a constant reminder of the pain she has went through. Along the way, the audience is greeted with twists and turns that bring both shock, horror and clarity.

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From the start, we are introduced to our lead character Mrs. Wiltshire (Doris M.F. Bohnam) and immediately, horror norms are broken as she starts talking to the audience. It is this story telling device that allows us to learn about her back story, as well as learn about Mrs. Wiltshire herself. This allows the viewer to sympathise and care for her as a likeable and fleshed out character. The rest of the cast do a great job too, particularly Stanley Rawlings as Tony, as he gives a great and emotional performance which furthers the care the audience develops for these characters.

Creating and developing strong characters is something writer/directors Neil Morris and Gary Smart have clearly paid a great deal of attention to as they understand a fundamental principle of horror film making that I feel often goes overlooked. If a character is not well written and/or acted, the audience won’t care for them and if the audience do not care for them, then the stakes are lowered. If no one cares about the character, why would anyone be scared for them?

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The score composed by Sean Schafer Henessy was also very enjoyable, as it sets the dark and dramatic tone for the film. Henessy does this by the means of dissonant strings rising in volume to build tension, as well as composing delicate yet melancholic melodies in the more upsetting and sombre moments.

My only real issue with this film was in relation to it’s tendency to fade to black after each scene had finished, then fading back in to a new scene set a little bit later on. This happened a bit too often and caused the film to be feel rather disrupted at times and caused the flow of the film to feel somewhat uneven. However, this was not enough of an issue to prevent me from enjoying the film as a whole.

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But is ‘Mrs. Wiltshire’ scary? I would say it is certainly very dark in nature, with an immense sense of gloom, unease and discomfort throughout the film. Rather than scary in the usual sense (aside from a few well earned jumps), this film does something more interesting and noble. It creates a parallel between the fictitious horror of hauntings and ghouls with the very real horror of domestic violence and abuse in a way which is respectful to those who have sadly suffered such a fate, while also creating an intense sense of shock and fear as we watch our protagonist fight against her inner and very literal demons.

‘Mrs. Wiltshire’ is a dramatic and unique tale thanks to its powerful performances, harrowing story that is rooted in an all too real and distressing concept. As Simon Bamford himself said, “it is a film that is hard to say you enjoyed” due to the upsetting topic it focuses on, but it is a great film none the less. When it gets a wider release in some shape or form, I would highly recommend seeing it!

I’m going to give ‘Mrs. Wiltshire’ 77%!

Have you seen ‘Mrs. Wiltshire’? If so you were probably at this screening,  unless you are reading this in the future! But if you have seen it, what did you think of it? Let me know in the comments and lets talk about it! This is where I would normally say the trailer can be watched below, but there doesn’t seem to be one that I could find, so I will link below to the Dark Ditties Facebook page where you can follow their anthology further!
Stay creepy and thanks for reading!

https://www.facebook.com/DarkDitties

Misery – Flashback Film Review

Unsettling, claustrophobic and all too real at times, ‘Misery’ is a horror/thriller classic from 1990 directed by Rob Reiner (Stand By Me) and based on the novel of the same name by the king of horror Stephen King (IT, The Shining, Carrie, Gerald’s Game and many more) and stars James Caan and Kathy Bates, perhaps best known for this masterfully created film.

‘Misery’ tells the story of Paul Sheldon (played by Caan), a world renowned writer, who owes all his success to his book series about a woman called Misery. After completing his latest novel, Sheldon begins to drive back from his reclusive writing spot back to New York but is caused to near fatally crash his car in a blizzard. Fortunately (or so he may have thought) for Sheldon, he is rescued by local nurse Annie Wilkes (Bates) who just so happens to be his number one fan. But when Wilkes discovers the fate of her beloved Misery, her personality begins to shift in to a dark and foreboding territory.

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First off, Rob Reiner’s direction in ‘Misery’ is masterful. Reiner’s direction of the shots and editing takes this film from great to timeless. We are presented with beautifully composed shots that make use of intense close ups, chilling wides and crawling dolly shots that seem to go on and on just to amp up the tension to it’s utter limit. This coupled with Reiner’s direction of Robert Leighton’s editing creates so much suspense, this film is practically oozing it! Reiner’s use of tone here is not too dissimilar to that of his major influence, Alfred Hitchcock. Not content alone with portraying a heavy atmosphere of dread, he knows when it is just the right time to lean back out of the tension in to light, sometimes comedic moments so that the juxtaposition with Misery’s dark side hits like a ten tonne hammer.

Stephen King is a treasure of the horror community for good reason, some the stories he brought in to this world are masterworks and ‘Misery’ is no exception. Between King’s original novel and William Goldman’s brilliant screenplay adaption, the result is a film with encapsulating dialogue, gut churningly horrific scenes and an unforgettable story.

I would also be remiss if I did not also mention fantastic and at times, bone chilling score by Marc Shaiman. With a combination of his own work and the use of pre-existing pieces of music (I will never listen to Beethoven’s Moonlight Sonata the same way again!) we as the audience are brought even deeper in to story of ‘Misery’ as the chilling story comes to life in sound as well as in visuals.

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James Caan’s performance is very under valued in this film, but despite being in the shadow of Kathy Bates’ Annie Wilkes, he gives a sensational performance. Caan provides is with a sympathetic character who feels very fleshed out. As you might expect from someone who wakes up in the home of a stranger and obsessive fan, Caan’s Paul Sheldon is uncomfortable but kind from the start and as time passes, we not only see but feel his claustrophobia as it becomes clearer and clearer that Wilkes has no intentions of allowing him to leave. Through this performance, Caan’s character quickly becomes very easy to care for as he feels just like any other normal man who has been put in a very abnormal situation. Another aspect of this performance that doesn’t get nearly enough praise as it deserves is Caan “double acting”. Without giving too much away, in order to maintain Annie Wilkes’ trust, Caan’s Paul Sheldon must act as though he cares for her. This means that Caan is playing a role within a role, a difficult fear for many great actors.

And of course, it goes without saying that Kathy Bates’ performance as Annie Wilkes is outstanding – so much so that she was the first woman to ever win an academy award for a lead role in a horror or thriller film. What is most captivating about Bates’ perfomance is the way in which she masterfully switches from manically joyful to psychotically twisted and aggressive. What allows Bates’ perfomance to hit even harder is the way in which her character can come across as charming and friendly in some parts of story, briefly allowing us to forget her true unhinged nature. What really brings it all home is how over the top the character of Annie Wilkes really is, with her frequent agitated rambling rants, the way in which she yells false obscenities such as “cockadoody” and “oh my goodness”, despite all this and more, Kathy Bates channels it all superbly and doesn’t allow it to feel silly or overbearing – in a performance sense anyway.

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But is ‘Misery’ scary? If the idea of an obsessive fan holding you captive against your will doesn’t chill you to the bone then you are braver than I. ‘Misery’ is a grim reminder of the horrific capabilities of our fellow human beings as well as the terror and trauma that comes with uncontrollable possessiveness and obsession. This film is rarely scary in the sense of making you jump out of your skin or making you scream in horror, but what it does better than so many films is leave a lingering, haunting feeling in the back of your mind that will stick with you for days on end.

Not much more needs to be said, as many people have said it before me and many others will say it after, Rob Reiner and Stephen King’s ‘Misery’ is a horror/thriller classic filled with amazing shots, incredible acting and a goose bump inducing score. I love this movie and I would highly recommend it to anyone who is a fan of horror as not only a cinematic thrill ride, but as the art form it is. This film is iconic and revered for a reason!

I’m going to give ‘Misery’ 90%!

Have you seen ‘Misery’? If so what did you think about it? Let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!
Stay creepy and thanks for reading!

The Secret of Marrowbone – Review

I have been looking forward to seeing this film since the first trailer dropped as it stars some of my favourite upcoming actors in Anya Taylor-Joy, Charlie Heaton and Mia Goth.
Finally with it being in released in the UK, I have had the chance to see it and talk about it with you all!

‘The Secret of Marrowbone’ focuses on the titular Marrowbone family who appear to be constantly facing hard times, both in the past and present. Four siblings must deal with the death of their mother, whilst also keeping their bereavement a secret from the rest of the town they live until the eldest sibling is 21 and old enough to be the family’s legal guardian, preventing them from being separated. Amongst all of the tragedy and family focused drama, dark and supernatural events begin to take place within the Marrowbone household.

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As I said above, I had high expectations when it came to members of the cast, and they definitely delivered! Anya Taylor-Joy (The Witch, Split) may not have been as central a character as she has been in her previous roles but it was brilliant and greatly performed none the less. Continuing her streak of portraying a wide range of emotions, from joy and happiness in the early scenes of the film, to being in feeling pure terror while still showing courage and bravery in the face of said terror. Charlie Heaton (Stranger Things) provides a very different performance from what we are used to, this time being boldly brave and sometime arrogant all with the intention of keeping those closest to him safe. Heaton does a great job in this portrayal but at times does feel somewhat one dimensional, as he acts the same through out most of the film, but this feels more out of what the script called for than his performance.

Mia Goth has been on my radar for a while now with a stand out performance in ‘A Cure for Wellness’ she brings her haunted charm to ‘The Secret of Marrowbone’ with what I feel is her best performance to date! In ‘A Cure for Wellness’ what stood out to me was how well Goth was able to create a strong mood that suggest that something was just sort of… off. She does so well at depicting a sense of past trauma that is still leaving a lasting impression upon her character and this is even more prevalent in ‘The Secret of Marrowbone’. As well as this, Goth has also widened her range (or has always had it, and this was her chance to show it) as acts loving and warm, happy and joyful as well as intense and panicked. A truly stand out role. Finally, George MacKay (11.22.63) is an actor that I had seen very little of and as a result, had no expectations for – not negative expectations, but had no thoughts on what to expect. I have to say he did a great job in this film, it was really nice to see what he could bring to the table. There wasn’t too much from him that stood out to me like his previously mentioned cast mates, how ever that may just be a result of not knowing much about his skill and range prior to this performance.

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Sergio G. Sánchez (The Orphanage) is the director and writer on this film and the consistency in vision is very clear to see. The vibe of ‘ The Secret of Marrowbone’ will be familiar to anyone who has seen ‘The Orphanage’ as, aside from this film’s happier moments, the sense of macabre and loss through out this film harkens back to that of the former. The direction on a whole is favourable but there isn’t too much that stands out as being truly great from that perspective. The writing on the other hand has a lot more going for it, particularly the supernatural element of the film leaves the audience wanting just a little bit more, rather than giving all away at once. As well as this, Sánchez’s writing boast an intensely thrilling third act. His work director of photography Xavi Giménez does allow the sombre tone of the film to be emphasised through a bleak colour-scape, mirroring mood of loss, desperation and emotional fatigue present through out the film.

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But, is ‘The Secret of Marrowbone’ scary? It is deeply chilling and drenched in a feeling of constant unease and paranoia as our protagonists rarely feel as though they are in a situation in which they can let their guard down, whether it be hiding the loss of their mother, or the constant fear of the spectral entity the Marrowbone family are plagued by. The movie is not without it’s jumps and startling revelations either, with a few scenes that leave you on the edge of your seat! Couple that with some unsettling imagery and it’s fair to say that while ‘The Secret of Marrowbone’ might not be the most frightening film ever, it is an eerie and unsettling watch!

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I really enjoyed ‘The Secret of Marrowbone’. Be warned, it is a slow burn horror film, so while that is something I greatly enjoy (when done well, such as in this case) I am aware it is not for everyone. The performances of Mia Goth and Anya Taylor-Joy were stand outs, with great performances all round for the most part, the slight inconsistencies in the direction and some of the one dimensional writing issues are easily over shadowed by what is overall an intense and creepy yet enjoyable watch!

I’m going to give ‘The Secret of Marrowbone’ 78%!

Have you seen ‘The Secret of Marrowbone’? If so what did you think about it? Let me know in the comments and lets talk about it! If you have read this whole review before ever looking in to anything about this movie then you can check out the trailer below!
Stay creepy and thanks for reading!